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To understand the pros and cons of the specifics of theatrical art, one must understand: what is it unlike other arts and why it has attracted public attention at all times.
Theater combines all kinds of arts. However, a person who is not very versed in art as such would argue, suggesting that the cinema can use all the same arts as the theater. On the one hand, yes, but the theater can use elements of cinema in its “arsenal,” but cinema does not.
The theater is a “living” art form. We see the performance in real time, and the film cannot convey the “living atmosphere” that arises around.
The theater lives here and now, every performance, no matter how many ideas have passed, every time – a new one. The actor who pronounces the text always says “for the first time”, every time there is a new audience. It’s same with live casino – online ones can never replace the true magic of playing with a live dealer. This is the mystery, magic and immortality of the theater as well.
The theatrical performance has a stage. And this is also a huge advantage of the theater. Because it can happen a huge number of events at the same time and the viewer can more closely penetrate the production and be imbued with each character.
Strangely enough, all these pluses also smoothly flow into the minuses for ordinary inhabitants.
You cannot see how much you want, and then watch another day’s work? – minus.
Is it inconvenient to sit all the time? – minus.
Thus, most people will prefer to watch a movie or do something that will not “take away from their dense life” for two or even three hours! Speaking scientifically, theater is a specific kind of art that occupies a special segment of the entertainment market, in which the public is also specific.
Recently, theaters have an influx of viewers compared to the early 90’s. However, as practice shows, most people go to the theater for several reasons:
- The theater brands. In famous theatres – constant sold out and queue. All this is largely due to the brand of the theater, which was established in the eyes of people.
- On some popular actor or actress, the “fashionable”, as it is customary to say today, the director.
- Promotion of the production.
In general, if you climb deeper, then this is not just a creative problem. Here there is a clash of the creative component and the economic. Because officially the state contains theaters and helps with various benefits and so on. In fact, the situation is different. According to many teachers, the state every year more and more “moves away” from the theatrical business and tries to “send it to the private sector.”
So it turns out that the private interests of the theater are colliding, where there are catastrophically small salaries and budgets and public ones, where more and more new productions are needed that bear cultural value to society. So it turns out that the theater is looking for sponsors, trying to make money on something advertised, hands over partially the premises or even exists at the expense of leasing its site. And this is more like a commercially oriented theater.
Trying to reflect on the theatrical specifics and the situation with the theatrical activity in general, I came across the opinion of M. Yu. Skomorokhov, one of the biggest directors of the national children’s theater in Russia.
Сказка «Про Иванушку-дурачка» Санкт-Петербургского ТЮЗа им. Брянцева на закрытии фестиваля «АртКаникулы» pic.twitter.com/0LXV9tH5T9
— Пермский ТЮЗ (@PERMTUZ) October 19, 2014
“Without advertising, we cannot decide whether to go to the theater or not. The need, regulated by the movements of the soul, disappeared. In advertising, the theater is put on a par with gastronomy, new varieties of beer, stunning tablets from prostatitis and tiles. We are turning into a service industry: bring it up, give it, go out – it’s scary. Perhaps the theater comes to some new frontiers, when it really remains for the elite, for a small group of people who need empathy, who want to see and hear a good play performed by good artists…”
Proceeding from all above-stated, it is possible to draw a conclusion, that the theater needs attraction of audience and new positioning of itself. But it’s just that this cannot come about. Creating an image of the relevant, interesting and necessary art in the eyes of the younger generation – that’s how it seems to me one of the main problems of theater management in terms of creativity, which need to engage in the theatrical community.
Because to create from scratch and do not have a target audience is simply useless. Having in their ranks young people interested in theatrical art, one can take the following steps to improve the theatrical work in States and Europe.
What do you like more, football or basketball?
I was thinking the other day how amazing are Sunday league games. Guys of all walks of life come together, train to play in the league that, to be honest, will neither make them rich nor famous.
On another side of the same spectrum is theatre. You have your Premier League players: Julia Roberts, Tom Cruise. Every move, every smile, every word they make all generate some kind of revenue for them.
And then there is the Sunday League in theatre – groups of adults, who train in their local community homes, maybe do a show once in a while. But mostly, they act for pleasure of themselves.
More similarities between football and theatre
There is more. Just like football is a means of training your body, theatre does very well in training your mind. One thing you can’t is show up and just do it. Just like in football, you would get injured. So, you have to train, at least a few times a week.
Not just for you, but to also get to know the people you work with.
It used to be funny to me how actors become bartenders, soldiers, etc. in real life to prepare for their roles. But now I know better.
There is a mesmerizing interview with Al Pacino on this subject.
Why theatre isn’t more popular?
To me, theatre is a sacred place and I don’t want it to go mainstream. I mean, what it would even look like it Netflix started filming and streaming plays like they do stand-up shows. Or, coming back to football, what if instead of casinos offering video slots free spins on a new football game they just launched, they would offer free spins on a theatre-themed slot. Bizarre to say the least.
My concern comes from the feeling that if you’re watching a play on your TV, you’re losing on the intimacy of sitting just a few feet away from the actors, being able to hear their breath, being able to smell their sweat. The reality of it theatre can not compare with cinema or a 80,000 seater football game. But it can compare with a Sunday league game.
That’s why another part of me wants to make theatre as popular as possible. As I said, not in a mainstream sense but between everyday people. So that every community had their own troupe. Because, and I’m not looking to get political, our society needs that more than ever.
I accept that there will be bickering and nonsense, but I urge you to rise above it in your everyday life. Trust me, the key to happiness is neither on Facebook, nor with impeachment of Donald Trump. Look around you. Look at all the people you have in your life. That is either your hell or salvation. You choose.
But if you feel stuck and don’t know what to do, I promise you that joining (or starting) a theatre troupe will set you free from everyday worries. More than a Bob Dylan song while the rain in knocking on your windshield on a midnight highway. And if you’re lucky, you might even make some money out of it.
Have you ever attended a theatre festival?
If not, remember the last time you went to theatre.
What a pleasurable memory, right?
Now imagine going to theatre 3-6 days in a row, 1, 2 or even 3 times per day.
Exciting? Exhausting? Maybe a little bit of both?
And now imagine going to theatre few times per day for 6 days straight and the rest of time working there to make sure the festival goes as smoothly as possible.
Well, I can tell you what is it like.
It is exciting for sure. But you might need to sleep for a week straight after.
The Message is important…
Theatre festivals date back to Ancient Greece as one of the classic art forms and also expression of gratitude for the gods. Nowadays they are (usually) not religious but trying to acknowledge some artists, bring to light some problems society is facing, or like the one in Slovakia we talked about last week, draw attention to today’s forgotten values and notions that are fundamental.
…and the Programme is crucial
Working in a theatre festival, whether it is local or international, you have to keep in mind what is the message being transmitted with the event. If it is talking about nowadays issues in society, most likely there should also be some accompanying events explaining the plays and making sense of them to less theatre-educated audience, perhaps a public debate, exhibition or special program for children.
You have to prepare the programme in a way it suits everyone’s needs as it is as well theatre promoting event that can become the biggest cultural event in your city or even the country. You have to make sure it entertains all kinds of audiences: theatre critics, journalists (you want good feedback, right?), other performers, students, regular people, families, etc.
Taking care of the program might take most of your organizing team time but it is crucial to have it as perfect as possible. You might want to learn to play some razz poker but keep that strictly for breaks: preparation for the festival should be your top priority. Fun and gambling follows later.
VIP guests are necessary…
No surprise that people follow the example of someone they admire. Therefore, it is always a good idea to invite some specials guests, for example, politicians, musicians, famous people in different fields. Since those are usually pretty busy, give them VIP access, free tickets and maybe free accommodation. It will be giving you more chances of their attendance. And when they RSVP with ‘I’ll be there’, you can put their name in the press release and except some positive reactions from the public.
…but the Audience is imperative
Have your VIP list? Great. Last but not least, don’t forget the regular audience. They are the ones attending your festival and paying for it. They will be pressing ‘Going’ button on Facebook events. They will be leaving comments and social media posts. Make sure they feel as great as VIP. Make sure they will come back again next year.
And finally, once again, good luck! Organizing a theatre festival will be lots of work but lots of fun also guaranteed.
Today let’s look up the small countries and small theatre festivals. And for that, let’s go all the way to central Europe, small country with barely 6 million people, Slovakia. How are they organizing theatre festivals?
The Divadelná Nitra Festival will look for basic values
International theatre festival Divadelná Nitra 2017 this year opens for the first time in the history of the festival with a production from the USA. The main program will offer for 11 days 11 productions in 17 performances from Belgium, Czech Republic, Poland, USA, Slovenia and Slovakia.
Compromise or amorality, survival or collaboration, homeland or alien, common sense or miracle? What are the core values of human life and society? Winning commercialization, globalization, individualism? What place in our ranks of values is tradition, culture, nature?
The Divadelná Nitra International Festival will enter its 26th year, which will be held from 22 to 26 September, theme #Fundamentals.
Presentation of foreign ensembles at Divadelná Nitra 2017
Interactive game with keywords
“The mysterious concept #fundamentals expresses the fundamentals, the basic principle, the essence of things, the essence. We want to do the basic values. Therefore, the concept of fundamentals is branched into key words such as home, family, peace, traditions, memory, freedom, justice, understanding, education, nature, beauty … “explains Darina Kárová, director of the festival.
“We will look at the values together with viewers not only in the works, but also in the eight-dimensional visual. An interactive game with key words during the festival will draw even more attention to today’s forgotten values of people or things that will be included not only in the main program productions but also in the accompanying program – in the form of films, exhibitions, happenings, concerts, debates. ”
We will be interested in “other fates” on the stage of Divadelná Nitra 2017. Ordinary and unusual lives of people who demonstrate unwavering will, firm belief, and a desire not to surrender.
The main festival program will offer 11 performances in 17 performances of interesting artists from Belgium, the Czech Republic, Poland, the United States of America, Slovenia and Slovakia during a 5-day theater event at different play points. Tickets are in online sales from August 7 on www.predpredaj.sk.
“In addition to the drama, we also introduce movement theater, theater – film, depictions in the speech of the deaf, documentary or science-inspired works, comedy engraved with irons, overlook, political context, but also serious works that will hurt and evoke emotions. We will introduce some creators who have not been to Nitra yet. All major program productions are the author’s theater and originally work on classic or contemporary themes, “says Darina Kárová.
Searching for an American dream
Divadelná Nitra 2017 opens for the first time in the history of the festival, a production from the USA. And for the first time ever, the production of the Slovakian Pavel Liška will be presented in Slovakia. “His” Nature Theater of Oklahoma, New York, packed with the Obie New York award, is one of the world’s most famous theater names and specializes in experimental scenic works. At the festival boards, the production of the Law of Happiness, a reflection on a reputed American dream, will be produced.
The United States’ base document, the Declaration of Independence, puts “building personal happiness” between the “inalienable rights” that everyone gives the creator and the government is entrusted with to protect. But what is happiness? Where are the limits of happiness? And who is happy today?, ask the creators in a humorous performance that was created in collaboration with the art duo Fox-Copper from the New York Nature Theater of Oklahoma and the Ljubljana movement theater EnKnapGroup.
Thanks to the Mexican bartender, a trip to Baghdad, a modern magical elixir and a few interfering cowboy dances, this show shows the peculiar views of happiness that can resemble only happiness when you find the best casino bonus online. And you use them. And you win. Win big.
“Cardboard decoration, cowboy outfits, and constantly spreading violence are the cartoons of Tea Party and Trump. In the great scenario – as always, when I write it by Fox and Copper, it is also Arthur Miller and Anton Pavlovich Cechov. Quotes associated with everyday American street and sitcoms parody an American dream that still seeks millions of Americans with more passion and determination than ever before, “wrote Theaterkrant.
Where does the Czech begin and where does it end?
The state of the company with our neighbors will be one of the most pretentious and the most impressive views of the Czech society after the Novembri’89 from the cult of the Prague Studio of Heroes. Actor and cheerleader Majer talks about the state of his homeland is currently a hit of the Czech theater scene. Patriotic Probe of David Zambransky, the Magnesia Litera Prize winner, as the Discovering of the Year, also provocatively asks what is the Czech Republic where the Czech Republic starts and where it ends, who or what is blamed for Majer’s current resentment and similar to the Czech Republic?
“Of course, the production is also about Zeman, but one thing about Havel and Klaus and whether or not to leave this homeland, what is the relation of our homeland to other homelands, and the language is about elites and people , About borders and borderless, about disdain, laziness, about the responsibility of the intellectual minority, and about what we all do to make this homeland really a home, “writes Czech news magazine.
The actor Stanislav Majer excels in the production of Kamila Polívková from the series hits, which for the performance in this monodrama bearing his name won the Theatrical Critics Award for Best Male Actress in 2016.
On stage father and son
Czech Circus La Putyka will also be represented by the Czech theater art, which has teamed up with Greek artists from Rootlessroot. Their Black Black Woods introduces the viewer into a magical black-black forest, where the pride and the fight of the father and son, the cruel hateful and fragile affection of the parent and the child, takes place in all generations. An unusual production of an eternal effort to transcend our own shadow and family patterns will be seen by a real father and son couple – Rostislav Novak, the elder and the younger.
Loneliness, poverty, and love for home
A unique human story from the end of the world will bring Berlin to the festival from Belgium. Their Curious [Chernobyl – So Far, So Close] is being watched by a very old married couple who lives alone in a radiated area where the Chernobyl nuclear power plant exploded in 1986 as if it was time.
Instead of escaping ecological disaster, they decided to stay where their ancestors lived, where their land and animals lived. Belgian artists have been there for five years in the Ukrainian village of Zvizda, and in connection with theater and film they bring a story about life on the borderline between nature and civilization, but also about loneliness, poverty and finally love for home.
About the world of hearing
“The boundaries of my language mean the boundaries of my world,” says the philosopher Wittgenstein. But what about the world can we learn from the language of the deaf? It reveals the work of the Polish theater Teatr Nowy One gesture.
Four actors with varying levels of hearing impairment entice the viewer into a world that is different from the world of French, German or Polish. The show is about communicating with those who are not listening, about ordinary things that the deaf are experiencing in their lives, but also about fascination with a distinctive way of human communication.
Emotional stories of soldiers
Theaters in Nitra will no longer be lacking in other domestic works. This year’s curator of the Slovak program, Drama Theater of Košice Thália Miklós Forgács Theater and his colleague, director József Czajlik, mapped interesting productions that were born in the current season in Slovakia.
In their selection is the winning production of the New drama 2017 Vojna does not have a female face from the Slovak Chamber Theater Martin under the direction of Marián Pecka, which was created according to the novel of the Nobel laureate of the year 2015 by the Belarusian writer Svetlana Alexiejevič. Emotional stories and testimonies of women who participated in World War II as Red Army soldiers, often fighting in the first line, will come to life in the suggestive submission of outstanding Martinic actresses.
Ruthenian artists from the Alexandr Duchnovich Theater in Prešov will bring the audience to the drama Sedenie v režii Braňa Mazúcha. The Dostoevsky Bees are no longer apocalyptic soldiers of anarchy and death, but saddlers who are sickly desiring to suffer and suffer from a lack of love. What surrounds them, they do not notice what they want, it destroys them. The live music and passionate acting of the great rusian artists are even more enhancing the authenticity of the javiscous being of broken souls.
Even “home” Jánošík
From the creation of Slovak repertoire theaters, Divadelná Nitra will not miss the new home theater Andrey Bagar in Nitra. Festival viewers will be able to see Jánošík, as the theatrical visionary Rastislav Ballek made it. The myth about the honest junak, who has reached a cruel and wicked age to gain, and who found morality just in amorality, belongs to the collective consciousness of the Slovaks. On the Ballek stage, however, the naive story in the verse is given a philosophical character, the kitsch mingles with conceptualism, the bracket with metaphysics, the appealing and emotional acting with performance.
The main program of Divadelná Nitra 2017 will introduce a unique site-specific project of four Slovak independent artists. Pôtoň Theater, Debris Company, Med & Prach and Slavo Daubner joined together to create the Miracles under the leadership of Iveta Ditte Jurčová and Michal Ditte. Three kilometers, three hours, four sets, four different spaces – the lake, the school, the church, the meadow, and the night magic magical wandering that takes place in a unique project in the former royal town of Bátovce.
— Jana Emburey (@JanaEmburey) August 16, 2017
Who is today in Slovakia?
The closing of the festival will belong to the most outstanding production of the current season of the Slovak National Theater – Elita. Czech playwright and director Jiri Havelka created an ironic and sarcastic work on the order of the SND on how a layer of powerful people, who still dominate Slovakia, was created. Unpleasant anecdotes about how difficult it is to recognize the truth from deception, compromise from amorality, survival from collaborating with acting actors of the SND.